CultureHaus InHaus presents an exclusive tour of The Light Show with Jorge Rivas Pérez, Frederick and Jan Mayer Curator of Latin American Art


CultureHaus InHaus Presents: An exclusive tour of The Light Show with Jorge Rivas Pérez, Frederick and Jan Mayer Curator of Latin American Art

When: Wednesday, March 25, 2020
5:15 pm-6:00 pm: Happy Hour at neighboring Leven Deli, 123 W. 12th Ave.
DAM and exhibition open at 5:45pm.
6:00pm Jorge Rivas Perez to lead a tour of the exhibition.
Event ends at 7:00pm.
Where: Denver Art Museum, Hamilton Building, Level 4
Cost: Free for CultureHaus member and one guest.
Street parking available & also in the Cultural Complex Garage

RSVP HERE

CultureHaus InHaus presents an exclusive after-hours tour of “The Light Show” with Jorge Rivas Pérez, Frederick and Jan Mayer Curator of Latin American Art. “The Light Show” explores physical and symbolic representations of light in art through a thought-provoking narrative. The exhibition features about 250 objects drawn from the DAM’s nine curatorial departments.

The Light Show focuses on the quest by humanity and artists to understand physical light in the natural world as well as metaphorical, spiritual, and divine representations of light.

The exhibition helps visitors reflect on a variety of light-related themes through a broad range of materials and artworks, including ancient sculptures, paintings, photography, textiles, and contemporary installations.

Join us for happy hour at 5:15 p.m. at Leven Deli, 123 W. 12th Ave. We’ll head over to the DAM around 6:00 p.m. for the private tour which will begin at 6:00 p.m. Tickets are free for CultureHaus members plus one guest. We look forward to seeing you!

“The Light Show” is organized by the Denver Art Museum. Support is provided by the generous donors to the Annual Fund Leadership Campaign, and the citizens who support the Scientific and Cultural Facilities District (SCFD). Promotional support is provided by 5280 Magazine, CBS4, and The Denver Post.
Image credit: Lucas Samaras, Corridor #2, 1970